Tag Archives: 1×2

Foyle's War: The White Feather: Michael Kitchen: Honeysuckle Weeks: Foyle and Sam walking to church



Sentimental Saturday.

Replying to a Data Lounge query on cozy British murder mysteries, one forum member wrote:

…an interesting lesson on writing and showrunning. Foyle’s War should work outside of the premise. Michael Kitchen and Honeysuckle Weeks are both good actors and their characters were interesting. Yet once WW2 was taken out of the equation, the story wasn’t interesting anymore. I think part of it was that having Weeks’ character marry put a wedge in the boss/employee relationship and the show just fell to pieces after that. Thank goodness they always kept the relationship as father/daughter. If they had Weeks have romantic feelings for Foyle, it would have ruined the entire show including the episodes already broadcast.

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Bizarre and dismaying to be hearing about my home turf in Irish news reports.

Foyle's War: The White Feather: Michael Kitchen: Not good.

Grateful to have been taking in the views from Mount Brandon instead of sidestepping violent, murderous neo-Nazis invading my town with their sick and twisted reasoning.

Only one correct answer to this question:

Foyle's War: The White Feather: Michael Kitchen: enlightening Milner

Milner gets it right, unlike the craven, despicable man occupying the White House right now.


Foyle's War: The White Feather: Michael Kitchen: Ian Hogg: Dunkirk: I'll bring him back to you
Foyle's War: The White Feather: Michael Kitchen: Dunkirk 1
Foyle's War: The White Feather: Michael Kitchen: Dunkirk 2
Foyle's War: The White Feather: Michael Kitchen: Dunkirk 3

Dunkirk was spectacular and kept me on the edge of my seat throughout, but at a fraction of the budget and scale, the treatment of the momentous event in Foyle’s War was no less affecting, if not more…


Michael Kitchen as Christopher Foyle by Robert Pereira Hind


Foyle's War: A War of Nerves: Michael Kitchen: The name's Foyle.
Foyle's War: The German Woman: Michael Kitchen: The name's Foyle.
Foyle's War: A Lesson in Murder: Michael Kitchen: My name's Foyle.

Iconic words.


Foyle's War: The White Feather: Michael Kitchen: I'm a police officer.

From a review by tendays komyathy posted on swapadvd.com:

“My name is Foyle. I’m a police officer.” No badge is shown or papers presented while so introducing himself. Such would be superfluous though as Kitchen’s Foyle, in mannerisms, demeanor, as well as the way his carries himself, makes it rather apparent that he is in law enforcement.


Foyle's War: The White Feather: Michael Kitchen: examining pipe 1
Foyle's War: The White Feather: Michael Kitchen: examining pipe 2

Just casually sidling up to a key piece of evidence…


Foyle's War: The White Feather: Michael Kitchen: extreme closeup

One of the many extreme closeups of Michael Kitchen in The White Feather.


Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 1Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 2
Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 3
Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 4Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 5
Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 6Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 7
Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 8Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 9
Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 10Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 11
Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 12Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 13
Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 14
Foyle's War: The White Feather: Michael Kitchen: Anthony Howell: enlightening Milner 15

Wish something just as incriminating would surface, and soon, to turn the tide of support for Trump. Bring on the disillusionment.


Foyle's War: The White Feather: Michael Kitchen puzzled expression

Three angles. One shot. Way to move across the screen.


Some chewing from Series 1:

Foyle's War: The White Feather: Michael Kitchen mouth quirking

anonymous said:
June 24, 2013

All your images are most welcome. and I particularly like today’s offering – that expressive mouth speaks volumes without uttering a single word.

Thank you for your note. One of my favorite gifs, too.


fall

Foyle and the colors of fall.

Foyle's War: The German Woman: Michael Kitchen: fall colors 1
Foyle's War: The German Woman: Michael Kitchen: fall colors 2


Foyle's War: The White Feather: Michael Kitchen: split image


Foyle's War: The White Feather: Michael Kitchen: beach composite


Foyle's War: The German Woman: Michael Kitchen: coatless saunteringFoyle's War: A Lesson in Murder: Michael Kitchen: coatless sauntering
Foyle's War: The White Feather: Michael Kitchen: coatless sauntering 1
Foyle's War: The White Feather: Michael Kitchen: coatless sauntering 2


Foyle's War: The White Feather: Michael Kitchen: Charles Dance: death glare 1Foyle's War: The White Feather: Michael Kitchen: death glare 2
Foyle's War: The White Feather: Michael Kitchen: death glare 3
Foyle's War: The White Feather: Michael Kitchen: death glare 4

Foyle’s controlled yet palpable seething anger. He’ll find a way to wipe the smugness off of Guy Spencer’s face.


Foyle's War: The White Feather: Michael Kitchen: That's not quite what I asked...


Foyle's War: The White Feather: Michael Kitchen: Charles Dance: Jewish question
Foyle's War: The White Feather: Michael Kitchen: Jewish question response 1Foyle's War: The White Feather: Michael Kitchen: Jewish question response 2

An offensive question from the odious Guy Spencer, leader of the pro-Nazi Friday Club, receives the response it deserves from Foyle — the silent treatment, Michael Kitchen’s specialty.

Thanks, pdx144, for the link to Hollywood Journal’s excellent review of Foyle’s War and Michael Kitchen’s acting:

In 1940, with England braced for a Nazi invasion, Foyle tangles with a charismatic Nazi sympathizer… When Foyle investigates a murder which he may be involved with, the Nazi sympathizer asks Foyle if by chance, he is Jewish. The look Foyle gives him is what defines Michael Kitchen as an actor. No dialogue, just the look. Disgust, anger, outrage — written on Mr. Kitchen’s face. But something else as well — a refusal to allow the Nazi to unnerve him, and a confidence that eventually Foyle will nail him.


Foyle's War: The White Feather: Michael Kitchen: seated pivot

The Michael Kitchen pivot – seated and kneeling versions.

Foyle's War: The Cage: Michael Kitchen: kneeling pivot


Foyle's War: The White Feather: Michael Kitchen: Honeysuckle Weeks: Day of National Prayer

Sam and Foyle in Norman Rockwellesque profile as they solemnly observe the Day of National Prayer for the British army at Dunkirk 74 years ago from this Memorial Day.


Foyle's War: The White Feather: Michael Kitchen: 3/4 closeup