The questionable professional ethics of Foyle’s ride companions are on his mind while they zip through the pastoral surroundings of Hastings in War Games and the austere streets of London in The Eternity Ring. Professional ethics certainly don’t concern Trump and his appointees as they daily violate with little repercussion the rules and laws governing their offices.
Tag Archives: 8×1
Some iambic pentameter from Michael Kitchen’s Foyle as a temporary distraction from the GOP’s latest reprehensible moves that promise to further unravel the fabric of our society, as if “The Self-Destruction of American Democracy” these past ten months under Trump and his administration weren’t enough.
As so often, the greatest fun was discovering what Michael Kitchen might do with Foyle’s next line. Refusing to disappoint, he found the iambic pentameter in ‘Vlessing being the only person implicated in the so-called eternity ring.’ What a trooper! – Andrew Billen, The Times, March 25, 2013
Once again, a person of interest hit and killed by a car leaving his set of keys for the taking. This time Foyle lifts the keys, but Sam still finds a way to be useful.
Translateplease (@translatepls) January 16, 2014
Any French literate Foyle’s War fans interested in contributing to S9?
Merde! Je m’y postule tout-de-suite!
Nah. Seriously, this is a job for a French native-speaker. Althouuuuugh why should I be so fussy on their behalf? BIG BONE to pick with Series 8 over the sequence of spoken Polish between Hoffmann and Tomasz in The Eternity Ring. A few of us on QE were wondering what was said, since the subtitles were sorely lackin’
Turns out one bloke was speaking semi-gobbledygook. We fetched in two Poles and the best they could make out was:
Voice 1 (Accent is dire, cannot make it out): Situation
Voice 2 (Polish): Thank you for helping
Haha, I do recall that discussion on QE and being once again amazed by the details viewers notice in the show.
Michael Kitchen conveys Foyle’s deep distrust, apprehension, and irritation in a myriad of ways while being briefed against his will by MI5. His expressive face, silver hair, dark suit, and red tie set against the lamplit red walls of the room all come together for a scene of sublime beauty.
It’s amazing that almost all the FW fans have the same sense of what is really important in the episode!And we have you to offer us the deleted scenes!Thanks again.
Well, at least based on the small sample size opining on the MK forum and this blog… The editors of the US FW obviously had different ideas, and who knows, their views could be representative of the FW fan base at large. Many viewers may not care much whether these scenes are included, but for those who do, I’m glad to be able to share them.
Those who do not care may as well watch Midsomer Murders. I invite them to clear orf out of the Foyle fandom forthwith.
Agreed. But from all the comments and reviews I’ve read on S8, I just get the feeling that most viewers have been sold on the new setting and atmosphere of the show and don’t particularly miss the lack of humor and fun Foyle/Sam interaction.
Well, the first cut scene didn’t have any Sam in it. But it did have Foyle. To my mind, in a series called “Foyle’s War” you don’t cut Foyle. You cut everything else first. It’s a no-brainer.
One would think. That first scene not only had Foyle but his dry wit as well, so the cut is doubly egregious.
This is a beautiful image, it looks HD and shows every gorgeous wrinkle, crevice and grey hair and oh those eyes! My new favourite. Thankyou, J.
Just one thing to say about today’s photo – Fantastic. I am now in complete melt-down. Please keep ‘em coming.
He’s absolutely beautiful. I just love his white hair…makes his eyes really pop. Sexy at any age and just getting better.
My friends and I were confused about the opening premise of ‘The Eternity Ring.’ What is the nature of Foyle’s difficulty with the FBI in the US?
Since it’s implied that Foyle drove Howard Paige to suicide, I’m guessing that Paige received quite a number of threats from Foyle and reported him to the authorities, so Foyle is probably wanted by the FBI to answer to possible extortion charges.
It is so strange that he did that, honestly, after what happened with Major Keiffer.
I think the difference is that Major Keiffer’s target wasn’t necessarily solely responsible for the soldiers’ deaths, and even if he was, it was an error rather than an intentional criminal act. I wonder, though, what Foyle’s ultimate goal was wrt Paige. I would have thought that he would have tried to have Paige extradited to stand trial in the UK for murder. Perhaps Paige was still protected by authorities because he was such a rich and powerful man, forcing Foyle to use more underhanded means to exact justice.
I didn’t think AH had anything to do with the poor editing decisions on The Eternity Ring, and he confirms as much in his tweets.
Don’t think he does either. The poster asked “Who does the editing”. Not sure they were accusing him. He probably didn’t answer because it was his producer wife, Jill Green….ha!
Oh, I don’t think the poster was accusing him at all. Good, though, that AH knows now that some fans were unhappy with the editing. Hopefully he’ll pass the sentiment on to those in control.
Perfect ending for this episode.
Were there scenes cut from the US version? if so, what were they? thanks.
I’m only aware of this scene just because I happen to like it and was looking for it.
Watching now on Acorn. So far the scene you gif’d, two scenes with Frank Shaw that are important to that subplot, a wonderful scene with Sam and Foyle on the stairs at Vlessing’s apt. where Foyle gives Sam a wink and tells her she’s a natural.
I’m aghast. I cannot believe they omitted the Foyle/Sam staircase scene – another one of my favorite moments from this episode! Whoever is doing the editing has a questionable sense of what’s important and what’s appealing about the show. Thanks so much for your research.
I consider the cutting of those great scenes from, ‘The Eternity Ring’ as nothing short of wanton vandalism. How dare they!!
Christopher Foyle – ever the well-mannered gentleman, even when responding to a condescending insult.
That Foyle and Valentine eventually become allies
Such grave concern on Foyle’s face in this scene with Sam when she reveals to him (and only him) her distress about her ability to have children.
After watching last night’s episode on large-screen HD for the first time, I must say that the cinematography for the show was absolutely stunning.
Two decades after The Russia House, Michael Kitchen is still looking a little moody and a lot sexy working with British intelligence, this time in Foyle’s War S8 premiering tonight in the U.S.!
From a review by the A.V. Club:
… most of the credit for the character’s success really must go to Michael Kitchen, who consistently hits the right notes in the role. His interactions with his MI5 handlers consistently reveal a righteous indignation, but it’s only towards the end of the episode that he determines the specific reasons why his unwanted new bosses are so objectionable. His investigative and observational skills are on frequent display in “The Eternity Ring,” and Kitchen nicely underplays these moments. He is not driven by a compulsion to solve puzzles, again separating him from a Holmes or a Morse; solving mysteries is simply his job, and he’s damn good at it.
“hits the right notes in the role”? He IS the bloody role. (Whoops Shiraz)
Amen to that, Shiraz or no Shiraz.