Tag Archives: Always and Everyone

Jack Turner shrugs off heartbreak in the final closing shot of A&E.  Just a few months after this episode aired, Foyle’s War premiered.

From an interview with Niamh Cusack about her decision to leave A&E after S4 along with Martin Shaw and Michael Kitchen:

All three bow out in the final episode later this summer when Christine is forced to choose between Robert and Jack. “It’s a bit of a cliffhanger,” says the Dublin-born actress. “It was so emotional. We didn’t think it would be, but it was.

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anonymous asked:

What fun I had following the trail of Jack and Christy from the puncture through to MK’s characteristic, “Fine”. Is the rest of A&E as entertaining as the snippets with MK that you have posted?

Can’t thank the writers of A&E enough for the rain scenario. If by “the rest” you are referring to only the MK scenes in A&E, my answer would be a definitive yes. As in FW, those scenes that show the playful and/or private side of MK’s character are the ones I particularly adore. I wish MK had featured more in the show, especially in cute vignettes like this one, but a hospital themed show with an ensemble cast is what it is.







Andie MacDowell did it in Four Weddings and a Funeral. Michael Kitchen improves on it. He is a marvel in this scene.





Niamh Cusack acting out the fantasy of many a female MK fan, and Jack Turner/Michael Kitchen looking adorably flabbergasted at being the object of such desire.

(The rebroadcast of A&E began yesterday on ITV Encore for lucky UK residents who are Sky subscribers. Beginning today, there’s the added bonus of Dandelion Dead.)


Michael Kitchen smoking.

Foyle's War: The White Feather: Michael Kitchen: I don't smoke.

Glad Foyle doesn’t smoke. Wonder if MK had anything to do with that decision.


anonymous said:

I really enjoy your posts. Thanks for maintaining this feed. Your stills from A&E are great; where do you get those? I have been trying to watch those episodes but can’t track them down anywhere.

No thanks necessary!  KF is merely my way of indulging a personal admiration for MK and his work, but it’s great to know that you enjoy my posts.  Episodes of A&E were available on YouTube at one point, but unfortunately, they have been removed.  Now the only full episode that’s publicly available as far as I know is the one posted on Vimeo by Jon East, one of the show’s directors.  Mr. East’s A&E videos also happen to be the only ones I’ve had the privilege of seeing in HD quality.




Best part about A&E is the interaction between these three characters.

Paul Hoggart wrote in The Times (July 5, 2002):

What saves A&E from absurdity is the strength of the cast, especially the three emotionally entangled consultants played by Martin Shaw, Niamh Cusack and Michael Kitchen. Kitchen, in particular, is the kind of actor who could make the Argos catalogue sound as if it had emotional depth, and brings a largely undeserved authority to the script.





After spending the night at Jack’s place, Christine brushes off his romantic entreaties and rushes off to work.  I could do with a lot more scenes like this from Michael Kitchen, from the silly face at the beginning to the kiss to the lingering handhold to the final wistful raising of his eyes.


Favorite words to see in opening credits, especially when accompanied by a clip of Michael Kitchen flashing a smile.

The Guardian noted though:

Could it be that whoever dreamed up the opening titles and commissioned the theme music for A&E (ITV1) might possibly have been under the influence of ER? The initials of the department flashing green in the middle of the screen; a soundtrack to suggest the frenetic nature of the department (urgent piano, dramatic drums and the hint of sirens); the actors’ names in lower case: it does all sound rather familiar, doesn’t it? In fact, all that’s missing from this homage/rip-off is Michael Kitchen performing a Benton-esque karate chop.

Grinning at the thought of MK doing Benton’s karate chop (at 00:52 in this video of ER‘s opening credits). Here’s MK chopping away wildly in Dirty Old Town: 🙂

Dirty Old Town: Michael Kitchen: karate chop 1Dirty Old Town: Michael Kitchen: karate chop 2


The Justice Game: Michael Kitchen: appraising look 1The Justice Game: Michael Kitchen: appraising look 2
The Justice Game: Michael Kitchen: appraising look 3The Justice Game: Michael Kitchen: appraising look 4
The Justice Game: Michael Kitchen: appraising look 5The Justice Game: Michael Kitchen: appraising look 6

Michael Kitchen in character appraising the opposite sex.

A&E: Michael Kitchen: appraising look

Telling that among the three men, the woman chooses to aim her assets at JT/MK.





A deluge of April showers here today.  Rain in real life never seems to be as romantic as it so often is on film.

pdx144 said:

Could be one of my all time favorite scenes from beginning to end.

Definitely one of mine. The only thing that would make it better is seeing the expression MK’s making in frame 4.






Christine punishes Jack for his transgression by leaving him high and far from dry.








Thank you for bringing some sunshine to a miserable, grey day, KF. MK playing tennis is a treat indeed; I had no idea DCS Foyle was hiding such great legs under that long overcoat! – anonymous

Both his tennis skills and his legs are impressive!



Since pdx144 has been sending me fun links on Martin Shaw, I promised her more of Robert and Jack, here enjoying a smoke while Christine looks on.

(More Martin Shaw posts here.)







To mark the premiere of George Gently S6, the next best thing to Foyle’s War S9 imo, here’s Martin Shaw with Michael Kitchen in a scene from A&E. The anesthesiologist is unavailable, so Jack and Robert decide to go with plan B for setting a patient’s dislocated bone. After Jack completes the procedure successfully, MK does his adorable smile with the downward nod – knocks me dead every time.

pdx144 tells me that the first episode of GGS6 has already streamed on AcornTV, days before it even airs in the UK.  Could we have the same arrangement for FWS9, please, or at least a same-day premiere?


A&E: Michael Kitchen: eye thing
Foyle's War: A War of Nerves: Michael Kitchen: eye thing
Foyle's War: The White Feather: Michael Kitchen: eye thing

dancesabove said:

There is a very crisp, definite way that he often moves his eyes and head — pdx144 calls it “the eye thing.” 

abjectadmirer said:

…then there’s the lip thing and the inside cheek thing and the knee thing and the pivot thing and the tie thing and the buttons of the waistcoat thing and the brim of the hat thing…

And my perennial favorite — the smile thing.

pdx144 said:

I’m trying to breathe; yes, abjectadmirer and KF, and all that too.  Oh, and when he’s just standing there doing absolutely nothing but being.


I couldn’t very well let this day pass without marking the occasion with a video tribute of my own.  Happy birthday, Mr. Kitchen!

Apologies to anyone hoping to view this video from Germany, where the background song I’ve chosen has unfortunately been blocked on YouTube.  : (

ilyps said:

I’ve just watched your wonderful birthday tribute to MK. What a joy! Particularly those clips from Alibi. Merci beaucoup.

Your comments are much appreciated!

anonymous said:

Another fantastic video – I look forward everyday to see what’s new on your site. Happy Birthday MK – hope you are reading this blog!

Many thanks to such an avid fan of MK and this blog.  I hate to disappoint, but after today I will no longer be blogging here on a daily basis.  It has become more difficult with each day to find the motivation to create new posts, so before complete fatigue sets in, I’ve decided to cut back.




After being beaten up in a hospital hallway by the grief-stricken boyfriend of a patient who died on his operating table, Jack receives special first aid from Christine, who has obviously forgotten their argument earlier in the day.

Not as steamy as his kisses in The Four Beauties and The Reporters, since he’s on the receiving end here, but still one for the books, especially combined with his teasing remark afterwards (delivered without eye contact in characteristic MK fashion).

abjectadmirer said:

Note the way he scrapes his top teeth over his bottom lip before going in for Round 2.

Noted.  Repeatedly.  🙂  As much as I like his hands, it would have been preferable had the camera not moved for Round 2!
pdx144 said:

It’s been two days now and I still haven’t moved. Now entering catatonic state.

I do believe GIFs were invented just so we could watch MK puckering up on infinite repeat.  🙂

anonymous said:

Yet another great treat – the complete kissing scene from A&E. Please keep on spoiling us. Can’t think of a nicer way to brighten up a dull, wet, autumn evening.

I’ll do my best to keep the posts coming.  Your autumn weather actually sounds kind of nice as it’s 90 degrees today where I am.  Way too hot for this time of the year.  But then the grass is always greener…



A&E: Michael Kitchen: Niamh Cusack: olive oil 1A&E: Michael Kitchen: Niamh Cusack: olive oil 2
A&E: Michael Kitchen: Niamh Cusack: olive oil 3A&E: Michael Kitchen: Niamh Cusack: olive oil 4

Sparks fly between Jack and Christine.

pdx144 said: Sexual frenzy……I’m hyperventilating!

😀
That line conjures up a bevy of tantalizing thoughts… love watching MK play such a rascal.

anonymous said:

One of my favourite scenes from A&E. He does make such a charming rascal. Nobody does it better. I love the grin on his face when he says ‘Yep’.