A couple of photos taken during the filming of Casualties of War and All Clear from lastminute.com’s blog post on Hastings.
The scene as it appears in All Clear with Michael Kitchen now walking closest to the street and wearing Foyle’s coat – a must on a breezy day 🙂 :
Wouldn’t mind playing the part of the extra brushing past him.
How do I love this scene. Let me count the ways. Lapels waving in the breeze, contemplative close up, understanding between friends, wildflowers, quaint village church, Michael Kitchen, Alan Howard.
(Location: Dunsfold Church, Surrey, UK)
Is that long underwear I see? If the color of his ear is any indication, it was freezing when this photo was taken.
Love the interview with Honeysuckle Weeks in the Spring 2015 issue of Prose ‘n Cons™ Mystery Magazine. True to form, she reveals some wonderful behind-the-scenes details about Foyle’s War and Michael Kitchen.
On Sam and Andrew:
Weeks concedes that delaying Sam’s marriage took a bit of persuasion. “There was talk of a marriage to Foyle’s son Andrew (the R.A.F. pilot) as early as series three I think, but I fought with Anthony for years to allow Sam to remain a ‘spinster of the parish.’
On whale meat:
In one scene, food shortages reduce Sam and Adam to eating whale meat as a protein source. If she looks a bit queasy, admits Weeks, “it was because I had a very hard time not retching at the smell of those whale steaks sizzling in the pan.”
On Sam and Adam’s house:
The interiors of Sam’s house were shot in a former brewery the art department turned into a sound stage. “You could still smell that oddly yeasty aroma from the fermenting hops,” says Weeks.
And on Michael Kitchen!
Considering the seriousness of the subject matter, you might assume that the set of Foyle’s War was a reserved and quiet place, but Weeks assures it was not. “If you were to go into Michael Kitchen’s trailer at lunchtime you could hear him playing the classical guitar. Or, if we happened to be filming at some grand country house, you’d often hear him behind its equally grand piano.” …Weeks prizes her relationship with Kitchen. “He is a decidedly avuncular figure in my life and a person I often go to for professional advice.”
So that’s how MK passes the time in between takes. Doesn’t really dispel the notion of a reserved set — unless he was pounding out a rock tune… 🙂
Wonder if he had a go at this piano:
Playing the piano really should have been another one of Foyle’s pastimes.
Foyle’s unfinished business. Howard Paige should be scared, very scared.
March 23, 2013
I so wish they had had the budget to film in America and have the new series start with Paige’s comeuppance. I loved this episode and I loved Foyle’s ability to compromise without sacrificing his morals.
Yes, in a perfect world, Foyle’s War would have an unlimited budget.
A nice photo from the original foyleswar.com site showing a scene from The French Drop being filmed next to the lake at Balls Park College during the spring of 2004.
Behind-the-scenes photos from filming of The Russian House (March, 2009) and Trespass (January, 2014).
Beautiful photos taken during filming of Foyle’s War S9 posted by Anna Ball on Instagram.
Thanks to Acorn for posting these wonderful behind the scenes stills of Foyle’s War S9 filming. More on Pinterest.
And from the S9 featurette, A Day in the Life of Foyle’s War:
Came across some discussion on the city-data.com forum about Michael Kitchen’s continued refusal to do publicity even for the DVD bonus material.
Sam’s MTC training comes in handy again.
When interviewed during the filming of FW S8, Honeysuckle Weeks talked about driving with Michael Kitchen:
Michael is nervous – he always is when I’m driving. I’m told to drive at 35mph by the director. Michael suggests 25. I decide to stick at 30 but embarrass myself by kangaroo-hopping up the drive. ‘Tell you what,’ says Michael after the third take, ‘you do the steering wheel, I’ll change the gears. All right?’ ‘OK. Got it.’ It works a treat.
Since she’s driving considerably faster than 25 in this scene, I take it not a lot of acting was required on MK’s part! I wonder if he again helped shift gears, a skill he obviously does well.
Zooming in on Michael Kitchen’s face is always a good idea.
In the S9 DVD featurette The Truth Behind the Fiction: High Castle, Anthony Horowitz said of this scene:
I wanted to see Foyle in front of a concentration camp. That was the single thought that sparked off the very first episode. It occurred to me that if Foyle was the epitome of good and decency in the period 1940 through to ’46, ’47, then it would be quite interesting to juxtapose him against the symbol of all evil.
Michael doesn’t just perform lines – he argues with me, fights with me, makes my life difficult, but always to make it better. He’s never asked for anything that hasn’t improved the script. He’ll look at five lines and say, “Anthony, I don’t need to say any of those lines. I can just do it with a look…” And it’s so irritating that he’s right.
– Anthony Horowitz on working with Michael Kitchen; Daily Mail
The cover and page 2 of this month’s Tattenhall Parish News include photos and an article on the filming of Foyle’s War S9 in the village. Only one small photo each of HW and MK.
A couple more photos in this tweet. Video of the filming of MK and HW arriving at the electrical shop here.