Tag Archives: Hermione Gulliford



Messing about with the photographic files in the archive. What I do on a daily basis with little risk of detection.




Foyle exchanges smiles and “how-are-you’s” with an unsuspecting Elizabeth Addis before proceeding to burst her bubble of pleasure at seeing him. Ouch.




Elizabeth Addis is probably wishing she could restart her life right about now.


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Shadowy, atmospheric stills from this HD montage posted by Tony Coldwell, the cinematographer for Foyle’s War S9.



Goodbye, Mr. Foyle.


KT said:

John Donne said, “No man is an island, entire of itself.” but, I’d argue, that Foyle comes as close to proving him wrong as any fictional character and MK played that perfectly.

This is inspired. Thank you for sharing, KT. In light of your comment, I particularly got a kick out of this New Yorker cartoon. →

Mary McNamara of the LA Times makes “a case for an Emmy (or more) for Foyle’s War:

Created and written almost entirely by bestselling novelist Anthony Horowitz, “Foyle’s War” is the Mona Lisa of television: small, quiet, utterly hypnotic and mysteriously perfect.

A small and often silent man, as kind as he is morally rigorous, Foyle stands guard over basic humanity as the whirlwind of war and modernity threatens to uproot the good with the bad. Year after year, he has been brought to vivid vibrant life by Kitchen, an actor of rare and controlled brilliance. Each season, he gave the performance of a hundred lifetimes while appearing to do little more than shrug off his coat, bite his lip and refuse endless offers of tea.

…the final episode of the series, “Elise,” is what the American-based Acorn TV, which has co-produced the series since its return, will submit in all the relevant television movie categories — some of which it better win, despite the low-key nature of its radiance and, perhaps more significant, the famous long-standing refusal of its leading man to do any publicity.

Neither should matter at all if the awards are truly about excellence.

Kivrin has written a lovely Foyle vignette that picks up after this final scene.





From a review of Elise by cultbox.co.uk:

If we started by asking ‘How do you live after the War?’ we end up asking ‘How do you live with what you did during it?’ In the final section of the episode we discover that in Hilda’s case, she can’t live with what she has learnt. An unshowy performance by Ellie Haddington as Hilda makes her final, shocking action all the more moving.

As for Foyle himself, he and the late Hilda Pierce could hardly be described as bosom buddies but there’s a streak of honour and absolute integrity that runs through them both…

…which is why, no doubt, our final shot is of Foyle leaving Hilda’s funeral and very pointedly turning away from Dr Addis and any possibility of a future with her. Is there some hint of attraction there? Yes, probably. But the fact that she can live with the horrible truth that killed Hilda, means she can no longer figure in his world.











We finally know the context of the scene shot in St. John’s Gardens almost a year ago.




What would Foyle do?