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Tag Archives: Honeysuckle Weeks
In her first credited role, Emily Blunt got to act opposite Michael Kitchen and wear a nifty beekeeper’s outfit. Amazing that the real experts in beekeeping require little in the way of protective wear, even when dealing with a swarm of 40,000 bees.
I wonder what the winning caption for this photo was:
Sam managed to survive her bout with deadly infectious disease. The rest of us may not be so lucky, given Trump’s determination to cut programs vital to our ability to stem a pandemic, the real threat to national security.
In recognition of International Women’s Day…
The Women’s Land Army hostel offers Sam, Foyle, and Milner a bed for the night and a hearty meal. I wouldn’t have guessed that Foyle was the milk with dinner type.
Listed on eBay, TV Times, October 23-29, 2004 issue with gorgeous cover, Michael Kitchen as DCS Foyle.
Peter Capaldi plays the communist leader Foyle is ordered to investigate in A War of Nerves. Who will be the next Doctor Who? Came across some discussion from 1996 about how Michael Kitchen would have made a good Doctor.
Laura Lister Jaffe (@LauraJaffe) February 03, 2017
Comfort food for distressing times.
Sam and Sgt. Brooke talk turkey with Foyle.
Leave it to Foyle to work out a satisfactory arrangement.
A couple of photos taken during the filming of Casualties of War and All Clear from lastminute.com’s blog post on Hastings.
The scene as it appears in All Clear with Michael Kitchen now walking closest to the street and wearing Foyle’s coat – a must on a breezy day 🙂 :
Wouldn’t mind playing the part of the extra brushing past him.
Sir, I don't think I drive either anymore... Too frightening by half. https://t.co/9PT9NYhMyX—
Honeysuckle Weeks (@HoneysuckleWeek) June 27, 2016
Is that long underwear I see? If the color of his ear is any indication, it was freezing when this photo was taken.
Foyle agrees to a last-minute request from Sam to host her Uncle Aubrey. And for his troubles…
To his credit, though, Uncle Aubrey brings out an unexpected laugh from Foyle:
Like a family both on and off the show.
“When you’ve done a show that has been as successful as this for as long as it has been, it is a joy to return to filming. It’s like a family.” – Honeysuckle Weeks in this 2014 interview
Another Foyle gotcha moment.
Love the interview with Honeysuckle Weeks in the Spring 2015 issue of Prose ‘n Cons™ Mystery Magazine. True to form, she reveals some wonderful behind-the-scenes details about Foyle’s War and Michael Kitchen.
On Sam and Andrew:
Weeks concedes that delaying Sam’s marriage took a bit of persuasion. “There was talk of a marriage to Foyle’s son Andrew (the R.A.F. pilot) as early as series three I think, but I fought with Anthony for years to allow Sam to remain a ‘spinster of the parish.’
On whale meat:
In one scene, food shortages reduce Sam and Adam to eating whale meat as a protein source. If she looks a bit queasy, admits Weeks, “it was because I had a very hard time not retching at the smell of those whale steaks sizzling in the pan.”
On Sam and Adam’s house:
The interiors of Sam’s house were shot in a former brewery the art department turned into a sound stage. “You could still smell that oddly yeasty aroma from the fermenting hops,” says Weeks.
And on Michael Kitchen!
Considering the seriousness of the subject matter, you might assume that the set of Foyle’s War was a reserved and quiet place, but Weeks assures it was not. “If you were to go into Michael Kitchen’s trailer at lunchtime you could hear him playing the classical guitar. Or, if we happened to be filming at some grand country house, you’d often hear him behind its equally grand piano.” …Weeks prizes her relationship with Kitchen. “He is a decidedly avuncular figure in my life and a person I often go to for professional advice.”
So that’s how MK passes the time in between takes. Doesn’t really dispel the notion of a reserved set — unless he was pounding out a rock tune… 🙂
Wonder if he had a go at this piano:
Playing the piano really should have been another one of Foyle’s pastimes.
Sam runs afoul of the Official Secrets Act when she relays to Foyle details she has come across that cast new light on Henry Scott’s death.
In Eagle Day Anthony Horowitz once again deftly integrated multiple plot lines, including Sam’s difficulties with her father.