The inspiration for him really came from the spotlights and searchlights from the war. I always thought Foyle was a seeker after truth – somebody who was effectively someone very decent and civilized and genteel. And so the character was always going to be very grounded. – Anthony Horowitz
In the same interview at the Marrakech Biennale in February 2012 AH also talks of Michael Kitchen’s reluctance to ask questions like a typical TV detective (a major collaborative effort according to MK), and he mentions a couple of interesting factoids that I hadn’t known:
- He very much regretted having Foyle admit he could drive at the end of All Clear because when it came to rebooting the show, it was difficult to find something else for Sam to do.
- With his physics degree from Oxford, Andrew was to have a role in the first episode of FW S8 involving atomic spying in London.
How much better The Eternity Ring would have been with Andrew in it, but unfortunately, Julian Ovenden presumably chose Smash over Foyle’s War.
Replying to a Data Lounge query on cozy British murder mysteries, one forum member wrote:
…an interesting lesson on writing and showrunning. Foyle’s War should work outside of the premise. Michael Kitchen and Honeysuckle Weeks are both good actors and their characters were interesting. Yet once WW2 was taken out of the equation, the story wasn’t interesting anymore. I think part of it was that having Weeks’ character marry put a wedge in the boss/employee relationship and the show just fell to pieces after that. Thank goodness they always kept the relationship as father/daughter. If they had Weeks have romantic feelings for Foyle, it would have ruined the entire show including the episodes already broadcast.
Color and mood befitting this Saturday spent in the warmth of SoCal.
Decency: 49.9% Evil: 48.4% Trump and GOP humiliation: 100%
“Thank heaven for … Alabama?“
I wish we could say the same for the POTUS. Thousands of “psychiatrists warn about Trump’s mental state“.
A man who excels at his job yet seems happy to walk away, much to the dismay of many.
Christopher Foyle and Michael Kitchen both.
The look of Foyle putting two and two together.