A find via the Foyle’s War Appreciation Society and tumblr, Michael Kitchen and Joanna Lumley, the latter captured in this photo blowing a kiss with The Greatest himself, are among the celebrities in the audience at the taping of Muhammad Ali’s Greatest Hits in London on June 5, 1979.
MK at 5:03 and 14:14.
MK at 6:47, 18:22, and 20:31.
Just in time to watch on the plane tomorrow.
The fight scene from Reckless.
For EH, who expressed an interest in seeing more of No Man’s Land, as it’s no longer available on YouTube in its entirety. I still don’t get the play, but I do enjoy reading articles about it that shed some light, like this entertaining NY Times piece with Christopher Plummer ( ❤ ) and Jason Robards, who starred in the 1994 revival on Broadway.
And via KT comes onemanz.com’s excellent review of the latest Broadway revival of No Man’s Land starring Ian McKellan and Patrick Stewart, a production which apparently rivaled the original:
With the supporting roles filled by Michael Kitchen and Terence Rigby, even the recording of the original production is an English language equivalent of listening to a string quartet performing a timeless piece of classical music. So much so, revivals have never quite done the work justice, until now.
Thanks, KT, for sharing the review and also for alerting me to the video setting!
Michael Kitchen reciting the poetry of love from Shakespeare in this video clip of him as Antipholus of Syracuse making romantic overtures to Luciana. His ardent words are met with shock and dismay, though, since Luciana has mistaken him for her brother-in-law, Antipholus of Ephesus, and thus believes him to be already married to her sister!
The BBC Shakespeare Plays: Making the Televised Canon, by Susan Willis, contains interesting behind-the-scenes details about the making of The Comedy of Errors that highlight Michael Kitchen’s professionalism. I was most surprised to read that MK was sick with a bad cold during the first two days of filming, which included the segment in the clip. His illness isn’t evident to me, although Willis writes that MK “looked very drawn during the taping”. Willis also explains that while performing the scenes upstairs in the Phoenix, MK was always conscious of the shadow of his head falling on the faces of the actors across from him and tried to manuever his head out of the way whenever possible.
And according to Willis, “Kitchen was not interested in fighting; he might be seen buying a sword but did not want to draw it.” As a result, the traditional opening of Act V Scene I showing Antipholus and Dromio battling witches and demons was replaced with the two of them being chased around the set instead. All in all, the production seems to have been a highly collaborative one between the director and actors — the way MK likes it.
Priceless beyond words.
The lion sleeps tonight…
Watch the clip.
LOL, before this:
there was this:
Entire Episode 2 on vimeo.